A tweet thread on his countryman and friend’s masterpiece now nominated for Best Picture:
10 personal musings about ROMA.— Guillermo del Toro (@RealGDT) January 14, 2019
1) The opening shot suggests that earth (the shit-infested ground) and heaven (the plane) are irreconcilably far even if they are joined -momentarily- and revealed, by water (the reflection). All truths in ROMA are revealed by water.
5) In every sense, ROMA is a Fresco, a Mural, not a portrait. Not only the way it is lensed but the way it "scrolls" with long lateral dollies. The audio visual information (context, social unrest, factions & politics / morals of the time) exists within the frame to be read.— Guillermo del Toro (@RealGDT) January 14, 2019
It pairs nicely with Seymour Hersh’s memoir, Reporter, which I’ve mentioned in this space before.
Finally, he raised his head. “I didn’t know someone from Princeton could do digging like this,” he said. “From now on, you do investigative work.”
I responded with my usual savoir faire: “But I don’t know anything about investigative reporting.”
Alan looked at me for what I remember as a very long time. “Just remember,” he said. “Turn every page. Never assume anything. Turn every goddam page.” He turned to some other papers on his desk, and after a while I got up and left.
Caro is best known for the obsessive research underlying his biographies of Robert Moses and Lyndon B. Johnson. The latter has been a four-volume project (publications in 1982, 1990, 2002, and 2012) with a fifth and concluding volume characteristically overdue. His next book, “Working”, is a memoir and is due out in a few months:
Why am I publishing these random recollections toward a memoir while I’m still working on the last volume of the Johnson biography, when I haven’t finished it, while I’m still—at the age of eighty-three—several years from finishing it? Why don’t I just include this material in the longer, full-length memoir I’m hoping to write?
The answer is, I’m afraid, quite obvious.. I am well aware that I may never get to write the memoir, although I have so many thoughts about writing, so many anecdotes about research, that I would like to preserve for anyone interested enough to read them. I decided that, just in case, I’d put some of them down on paper now.
I also recommend listening to his appearance last year on the New Yorker Radio Hour (embedded below), which he at the end calls the best interview he’s ever had. Read also this interview with the New York Review . I have not read any of his books.
I have interviewed a number of the characters Mark Lilla cites in his essay’ ‘Two Roads for the New French Right’. Lilla’s account fails to confront the white supremacy at the heart of a movement he ultimately describes as a ‘coherent worldview’.’ Although he is correct that there are important evolutions underway on the French and European right, he overlooks an implacable bigotry that remains the essence of the project. Any responsible discussion of the movement’s new developments must begin and end there.
And Lilla replies:
Writing about the political right has never been harder. Different kinds of right-wing ideologies and political formations are proliferating and shaking liberal governments around the world… This makes it difficult to keep track of all the developments, distinguish them, and establish the connections between them. At the same time, liberal and left forces that want to resist these developments are increasingly hostile to learning anything that does not conform to their settled ideas about the right.
A reader of McAurley’s letter who had not seen the piece might come to a different conclusion: that it was intended to whitewash Marion [Maréchal ] (or her grandfather, or right-wing forces everywhere; it’s unclear which) and ignore the real animating forces on the right, which are ‘white supremacy,’ ‘hatred of the other,’ ‘bigotry,’ and ‘an ideology of exclusion,’ all whipped up by the phantom of immigration. In other words, never mind all the things that seem new, forget the writings about family and sexuality, forget all the talk about organic community, forget the lashing out against neoliberalism and tech giants, forget Pope Francis. It all comes down to hatred: ‘Any responsible discussion of the movement’s new developments must begin and end there.’
The NYR article was previously linked to on here
(That refers to the technology of using shadows to photograph objects outside direct line of sight. Obviously.)
The study claims it can take these photographs by only requiring a single photograph and a standard digital camera. It is also path-breaking in being the first paper I know of to include a Super Mushroom from the Super Mario series. In fact, in appears three times (Figures 1,2, and 4).
Figure 1: “Controlled by a laptop PC, the standard digital camera obtains a snapshot of the irradiance distribution on a visible imaging wall, which is induced by the penumbra of an occluding object owing to light emanating from a scene of interest. The scene of interest is displayed on an LCD monitor for ease of performing experiments with many scenes. The snapshot is fed through a computer algorithm to recover an image of the scene of interest and an estimate of the position of the hidden occluder.”
From: “Computational periscopy with an ordinary digital camera ”, Nature 565, 435-436 (2019)