The abolition of billionaires; music's #MeToo in the music industry; framing the US gymnastics scandal; and 'Die, My Love' by Ariana Harwicz

It has by the fall of 2018 become commonplace to describe the 499 known victims of Larry Nassar as ‘breaking their silence,’ though in fact they were never, as a group, particularly silent. Over the course of at least 20 years of consistent abuse, women and girls reported to every proximate authority. They told their parents. They told gymnastics coaches, running coaches, softball coaches. They told Michigan State University police and Meridian Township police. They told physicians and psychologists. They told university administrators. They told, repeatedly, USA Gymnastics. They told one another. Athletes were interviewed, reports were written up, charges recommended. The story of Larry Nassar is not a story of silence. The story of Larry Nassar is that of an edifice of trust so resilient, so impermeable to common sense, that it endured for decades against the allegations of so many women.

16 Feb 2019 · Matthew Alampay Davis

Climate change, here and now; identity politics, everywhere and always

Prosecutors argued this week that members of the borderland faith-based organization No More Deaths broke the law by leaving jugs of water and cans of beans for migrants trekking through a remote wilderness refuge in the Sonoran Desert… The most serious charges have been leveled against Scott Warren, a 36-year-old academic, whom the government charged with three felony counts of harboring and conspiracy, for providing food, water, and a place to sleep to two undocumented men over three days last January. Warren faces 20 years in prison if convicted and sentenced to consecutive terms.

09 Feb 2019 · Matthew Alampay Davis

How we write about other cultures, how we write about racism, how we write about climate change, and how we write about the Animorphs

They fire us, we have to abandon them, and then you have to learn to love a new set of children, and you’re always afraid you’re going to be fired all over again and lose them. One woman cried as she explained this. ‘They never think about the fact that we love the children.’ she said. That the women I interviewed could love the children they cared for—and love them, in fact, to the point of heartbreak—was to me nothing short of miraculous.

27 Jan 2019 · Matthew Alampay Davis

Les gilets jaunes; notes on trap music; and Spider-Man: Into the Spider-Verse (2018)

Trap is a form of soft power that takes the resources of the black underclass and uses them to change the attitudes, behaviors, and preferences of others, usually by making them admit they desire and admire those same things and will pay good money to share vicariously in even a collateral showering from below. This allows the trap artist to transition from an environment where raw hard power dominates to the Valhalla of excess, lucre, influence, fame, the only sincerely valued site of belonging in our culture. It doesn’t hurt that insofar as you’re interested in having a good time, there’s probably never been a sound so perfectly suited to having every kind of fun disallowed in conservative America.

16 Dec 2018 · Matthew Alampay Davis

Refugees, illustrated; Roma (2018); and neural prosthetics

‘I flew a plane today. I freaking flew a plane today! I am 54 years old, I’ve been a quadriplegic for 14 years, and I flew a plane today! In my mind, I’m still flying.’

09 Dec 2018 · Matthew Alampay Davis